Ferdinand Malek
Can You Tell If Someone Is Transgender – Janet Mock in Trans and Queer Stories in Pose: “Welcome to Our World” As a writer, director, and producer of a television series about New York’s underground dancehall community in the 1980s, she admits that her work sometimes makes her cry.
Earlier this month. Make fun of He is a writer, director and producer of a television show about New York ball culture in the 1980s. Rich Fury/Getty Images Hide caption
Can You Tell If Someone Is Transgender
Earlier this month. Make fun of He is a writer, director and producer of a television show about New York ball culture in the 1980s.
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For the first time. She was in 10th grade, lived in Hawaii, and had changed her gender identity socially. Medical changes are about to begin.
“My girlfriend had a VHS that she got from another friend,” says Mock. “It was like this little magic ticket that was handed to our team.”
Jenny Livingston “It was one of the first times I saw people who looked like me, who represented me and my community, at the center of a narrative,” says Mock. “I thought I was seeing him for the first time in my life.”
It would reappear in her career decades later. After starting a career in journalism, writing two memoirs and becoming a trans activist, Moka made history as the first woman to write and direct a television episode when she joined Ryan Murphy’s series.
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The FX series, now in its second season, follows LGBTQ youth in the dance scene of the 1980s and 1990s — a community that is largely black and Latino — and the “homes,” or families of choice, they build as one. Place of residence. A method of survival.
“It’s amazing to be able to film and oversee the production, write the scripts, direct,” says Mock. “Sometimes I look at the screens … with tears in my eyes, I realize that these are the stories that I missed as a child. Our experience cannot be overstated. … Simply: “Welcome. our world”
Ballroom culture is a place that started in the middle of Manhattan in Harlem. It was created by a group of black trans women and drag queens who were tired of being pushed around by white drag queens and not getting titles. White queens, white queens were chosen when the titles embodied Western culture’s ideals of beauty and femininity, rather than black and brown queens. That’s how Crystal Labeja created the scene, and it became such a place of community – many orphans, homeless people, transgender people and queer people gather at the house. … They go to a ballroom – a gym, a rec center, a YMCA or a theater they rent – to compete at night in categories like “reality.” “Fashion” should throw away each other’s fantasies and respect each other.
Often there is a mother and father who are the breadwinners of the household, who care for children and young people, and who care for and care for LGBT people who have been abandoned by their families. Food, shelter, clothing, life experiences, counseling… The LGBTQ community is well aware of the idea of a chosen family for their existence. The Chosen Family is one [idea] that our show definitely focuses on and celebrates. They are the mothers who hug their children after they are kicked out of their homes. Often they create new networks of survival, creativity, love and livelihood that allow them to thrive in the absence of young people whose families support, validate and truly love them.
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One of my public works is to talk about my life experiences and experiences. I have been very open about my struggles with my body and society’s constant attempts to limit, categorize and define me. I spent my youth and my whole life resisting it. And one of the great gifts of writing for television and writing these characters is what I would never dare say—in an interview or at a dinner party, when someone finds out I’m transgender, or when I mention it’s my job, and they’re surprised, and they’re so weird and intrusive.-Gob started asking questions…the things I need to do medically for my body do not define me. These are things that are not very interesting to me. What’s really interesting to you is that I think that says a lot about how trans people are created as objects to be dissected in today’s freak show.
My experience with sex trafficking and sex work is very complex. I first knew it as a hangout spot. Merchant Street is a street in downtown Honolulu, Hawaii… I went there for the first time when I was 15 years old. I got dressed and went with my friends. We talked to older girls, and when I say older girls, I was 15, some of them were 18-25, but they were light years ahead of us in terms of their identity, change and confidence. in their bodies. , express yourself and each other. It was a place of deep brotherhood and solidarity for me. … I was too naive. I was so involved in my student government and national honor society, and I thought, “I can never do what these women are doing, I can’t sell my body, I can’t have sex with men in the back seat of their car.”
And I remember, maybe a year later, a car pulled up to me… and one of my friends said, “He wants to take you on a date,” and he said, “What does he want me to do?” She says, “If you have sex with him, he’ll pay you $60.” And I mean only $60, what can I do with $60? I can split a Premarin [hormone] pill in two. I can buy myself clothes that my mom can’t. I can buy junk Mosubis from 7-Eleven in the morning. $60 is pretty good for a poor kid or a poor trans kid or a poor trans kid. A way to take care of myself, so I think… It’s survival-wise: I think, “Oh, I have credit in this world.” I have an identity and I have a body and I can use my body as an asset to take care of myself in this world.” I no longer feel poor. Resources and for me, at that moment when I was 16 years old, I felt incredibly strong, I felt empowered.
As a 36-year-old woman after 20 years, I look at this very complicated. I look at her with deep sadness, deep sadness that this is her only chance to take care of herself.
How Do I Know If I’m Trans?
I wish I could say it scared me. It didn’t happen. Survival was a very loud siren call for me. At the time, I only had a few thousand dollars saved up for a gender reassignment. What I did was I didn’t take any more risks. Stop driving cars with new customers. I always make sure to get feedback from other girls who have worked with these clients before. And I doubled just to work with constants. That way I make sure to take care of myself and take extra precautions.
This is one of the reasons why it is so important that we do not criminalize sex offenders, as this only encourages them to take more risks. If they don’t have safe clients, they have to take more risks to be with clients who don’t have unsafe, drug-using, violent clients in their Rolodex. And I think during this time I did my best and tried to be more careful.
I was in seventh grade. I was wearing a black and white striped shirt and bell bottoms, high heels I borrowed from my best friend Wendy, who was a trans girl I grew up with, and a short Toni Braxton wig. . no
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